Saturday, December 31, 2011

a public apology to a child pornographer

see note below for important disclaimer
It is with reluctance and remorse that I have had to report Brian Rose, self-described Community Manager of the Google+ Photo project for:
  1. Knowingly creating and publishing a photograph of a child, apparently in restraints, on a service intended to distribute said image to multiple recipients across the several States.
  2. Suspicion of production and distribution of similar works for possible distribution among child pornographers clandestinely through the internet, a known mechanism for trafficking in such contraband.
I do deeply regret that Mr. Rose will likely be subject to:
  1. Seizure of his personal effects including his photographic gear and computing devices for use as evidence against him. This seizure may also include the taking of assets at his home and work even if they don't belong to Mr. Rose on the basis that he may have used these devices for criminal ends and that to leave them in situ would give opportunity Mr. Rose or his confederates to destroy evidence of wrong doing. 
  2. Police investigation of his at his place of employ and residence, including vague interview of his colleagues, superiors, neighbors, and friends which hint at the possibility of malfeasance, and even the broad nature of the offense to society, while coyly declining to name the suspected offense.
  3. Release of Mr. Rose's name and likeness to the press by the police to accompany the allegation of his actions in child pornography. This release will likely be made in order for the police to demonstrate that they are vigilant and dutiful regarding possible threats to our vulnerable children.
  4. Personal notoriety resulting from the reported allegations which will become known to his friends, family, community, and business associates present and future.
  5. Trial in the "court" of public opinion prior to even being indicted for the allegations.
I do also regret that I am unable to include the offending material or link to said material lest I myself run afoul of applicable law. I understand that this affects the reader's ability to make their own judgment regarding the allegation, but I am quite afraid of having a charge of trafficking in child pornography leveled against me which could severely impact my standing in my community and workplace.

It is an reasonable question as to why I have made this allegation against Mr. Rose despite the pain, expense, incarceration, and corruption of his subsequent life as a registered sex offender that may result. My primary motivation is a poster on a wall in Terry Gilliam's 1985 film Brazil:
Don't Suspect Your Friend… Report Him
which I have long taken to mean that I shouldn't presume to judge my fellows but to instead yield that responsibility to the state because they can always be trusted to do the right thing. I also do feel for Mr. Rose as being the public face of Google+ photographic policy, in particular being charged with promoting community in the face of Google's confusing and confused photographic censorship policy. It is my hope that through my actions Mr. Rose will be empowered to act in accord with his titular responsibility.

Finally, I think it the duty of concerned citizens of the world to speak out against evil where they suspect it as a means of promoting the general welfare.

Some people, noting the sardonic tone of this essay will conclude that I did not actually file formal allegation against Mr. Rose, and they're almost certainly correct. However, times being what they are, I could be the sort of person that I satirize herein, but you don't know.

Like the capricious and arbitrary policing by Google of their service, the lack of transparency, trial by allegation, the stance of "guilty until proven innocent, unless we decide to reverse ourselves at whim" and Google's history of tying their determination of in one realm (G+) to that of unrelated properties (e.g. Gmail and Docs) that is the problem. No, Google is not the government, does that mean they should strive to that minimal standard of "just" or should they aim higher?

 I did not, and would not, make formal allegation against anyone for expressing their views. I did intentionally mischaracterize the unnamed photograph in Rose's stream for rhetorical purposes; it is a good photo and not harmful to anyone under any rational perspective. Of course, as a citizen and parent if I truly did believe that there was any child who was being abused in any way that I could mitigate through my actions I would be obliged to do so, but to reiterate, Mr. Rose did not do anything that hints at malfeasance or even mere impoliteness. To the best of my knowledge, and by my presumption, he is as fine a person as anyone can hope to be. The photograph that accompanies this essay is not mine but has been copied from his public profile under US terms of Fair Use for criticism and commentary in accordance with 17 U.S.C. § 107, the rights-holder cannot be determined.

Wednesday, December 14, 2011

what censorship really looks like

For the last couple of weeks, I have been receiving notifications from concerned organizations of what "the internet will look like if SOPA passes". Although attention getting, they don't present the most accurate picture. And then hours before the Stop Online Piracy Act is passed by the fair Congress who calls the entertainment industry "master", an abuse of existing bad law shows up on my virtual door step. This is what SOPA style censorship would look like, except far more ubiquitously:

Here's the problem. The Digital Millennium Copyright Act of 1998 is also considered to be a bad law written and paid for by the entertainment industry. Under the terms of the DMCA, a company need merely claim they hold a copyright interest in the infringing material, and the hosting service is obliged to "take-down" that content or lose their defense that they were merely unwittingly transporting alleged infringing material. Note the key word "alleged". Prior to the DMCA, a copyright holder would have to provide some evidence that the material was infringing their copyright; after the DMCA their word was considered good enough.

What has been censored here? You have no idea, and if SOPA passes, you'll might not even be able to find out at all. Fortunately as of this writing, a smaller body than YouTube is still hosting Tech News Today 391 so you can still see what the kerfuffle is about. At about minute 26 in TNT#391 there are three journalists talking about the abuse of the DMCA in the takedown of a different video.

And here's the kicker, UMG then told YouTube that the journalistic criticism of UMG by TNT infringed UMG copyright. What have they infringed? TNT doesn't know, because they didn't have to be told, I don't know, and we might never.

The long standing Fair Use Exemption (17 U.S.C. §107) of the US Copyright Act of 1976 has carved out an exception “… for purposes such as criticism, comment, news reporting…” where one doesn't need to have permission of the rights holder to make a news report critical of the material. But the DMCA is being abused to abridge that provision of law. Remember the take-down displayed above is not for the original material but journalistic discussion about the original material.

This will almost certainly get worse when SOPA is passed. I thank Tom Merrit of Tech News Today for bringing this to my attention.

Occupy Ignorance

photo courtesy of larry rippel
In today's editorial titled "Occupy Elsewhere", the PIttsburgh Post-Gazette unwittingly demonstrates exactly why OccupyPittsburgh ought not and will not vacate the public space that BNY/Mellon claims dominion over. They manage to completely undermine their own claim by the simple expedient of having no idea at all about the core issue underlying the worldwide Occupy movement and the reasons why peaceful protest and a functional free press is essential to the operation of a democratic republic.

The specific ignorance shown by the Post-Gazette pervades the editorial but is highlighted in a single sentence:
The movement's fight against economic inequality and corporate greed is laudable and justified, but there is little to suggest that the Pittsburgh group's continued presence in Mellon Green will advance its agenda.
If the movement were fighting against inequality and greed, it is possible that this claim by the editors could be true. Unfortunately, given a brief three months in which to study the movement, the Post-Gazette has somehow failed to understand the purpose and meaning of Occupy. It would be easy to claim that the last remaining newspaper of daily circulation in the city was deliberately playing the fool regarding their public duty, but I'm going to afford them the greatest possible charity and assume that their specific ignorance is a result of the editors having watched too much television.
OccupyPittsburgh is insufficiently entertaining and therefore must be irrelevant. Ironically, this same cause has largely been blamed for the impending death of the American newspaper.